Oct. 4th, 2005
The Fantasticks
Oct. 4th, 2005 08:43 pmWatched the 2000 movie version of the Fantasticks. It was... disappointing. It is a musical which should really never have been made into a movie. They did a pretty good job with keeping the mood right though, which is truly commendable and was extremely impressive. However, they departed from the script a bit too much in my opinion. Particularly, they departed from the original songs too much. For several of the songs, they took out the original verses and wrote their own. And for the "It Depends On What You Pay" song, they replaced the WHOLE thing! As Josh pointed out, in the year two thousand you really can't have a man there singing about rape like that. But it's a really good song, and it underscores the stupidity of what is going on.
"The cost, Senior, depends upon the quality of the rape."
"The what?!"
"Forgive me, the attempted rape. I know you prefer abduction, but the proper word is rape. It's short and business-like."
And finally, to add insult to injury (or perhaps injury to insult), at the end, El Gallo leads them through the carnival instead of around the world... which could be a good choice in keeping with the mood of the original musical, expect they made it pretty clear that it was a brief one-night thing, rather than a many months or many years thing. Of course, I don't think they ever say explicitly in the play how much time passes, but it felt longer. Also, they are way too explicit about the rose-colored glasses... ever heard of "show don't tell" in the art of writing? I guess not.
And finally, the worst part is that El Gallo leaves off the last two lines of the closing poem.
There is a curious paradox which no one can explain:
Who understands the secret of the reaping of the grain,
Or why spring is born out of winter's laboring pain,
Or why we all must die of it before we live again?
I do not know the answer, I merely know it's true.
I hurt them for this reason, and myself a little bit too.
To me, it is those last two lines which explain the story, which give the musical it's meaning. It is the difference between a mature love between adults who have known pain and mistakes, and the love of children who know only make believe. They also took out the line exchange at the end between the fathers and El Gallo.
"Look! They've come back!"
"It's a miracle! Let's take down the wall!"
"No. Leave the wall. Remember you must always leave the wall."
Now my mom has always disliked this closing exchange because she doesn't think neighbors ought to have to have big walls on the property line, but that's never how I've interpreted it. I've always assumed that he is referring metaphorical wall, one of respecting individual differences. You must always leave that wall.
They did fortunately at least include "Try to Remember" as the credits rolled. I'd been afraid they would leave it out completely (generally it is both the opening and closing song, though with different verses used at the end than at the beginning).
Deep in December it's nice to remember;
Although you know the snow will follow.
Deep in December it's nice to remember;
Without a hurt the heart is hollow.
"The cost, Senior, depends upon the quality of the rape."
"The what?!"
"Forgive me, the attempted rape. I know you prefer abduction, but the proper word is rape. It's short and business-like."
And finally, to add insult to injury (or perhaps injury to insult), at the end, El Gallo leads them through the carnival instead of around the world... which could be a good choice in keeping with the mood of the original musical, expect they made it pretty clear that it was a brief one-night thing, rather than a many months or many years thing. Of course, I don't think they ever say explicitly in the play how much time passes, but it felt longer. Also, they are way too explicit about the rose-colored glasses... ever heard of "show don't tell" in the art of writing? I guess not.
And finally, the worst part is that El Gallo leaves off the last two lines of the closing poem.
There is a curious paradox which no one can explain:
Who understands the secret of the reaping of the grain,
Or why spring is born out of winter's laboring pain,
Or why we all must die of it before we live again?
I do not know the answer, I merely know it's true.
I hurt them for this reason, and myself a little bit too.
To me, it is those last two lines which explain the story, which give the musical it's meaning. It is the difference between a mature love between adults who have known pain and mistakes, and the love of children who know only make believe. They also took out the line exchange at the end between the fathers and El Gallo.
"Look! They've come back!"
"It's a miracle! Let's take down the wall!"
"No. Leave the wall. Remember you must always leave the wall."
Now my mom has always disliked this closing exchange because she doesn't think neighbors ought to have to have big walls on the property line, but that's never how I've interpreted it. I've always assumed that he is referring metaphorical wall, one of respecting individual differences. You must always leave that wall.
They did fortunately at least include "Try to Remember" as the credits rolled. I'd been afraid they would leave it out completely (generally it is both the opening and closing song, though with different verses used at the end than at the beginning).
Deep in December it's nice to remember;
Although you know the snow will follow.
Deep in December it's nice to remember;
Without a hurt the heart is hollow.